Brandon Irwin

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Huge!

HUGE! from Brandon Thomas Irwin on Vimeo.

This video easily signifies my greatest work, to date.  Brandon gave me a spoken-word version of the poem over a year ago, and asked me to write music, because he was going to make a video for his girlfriend, Abbey.  He didn’t know, at the time, that he was going to propose, but I knew exactly what it was going to be when I listened to it.

I haven’t talked about this, because it was supposed to be a secret.  I’m still not sure how Brandon got Abbey to be in a couple of the scenes without her being wise to it’s end purpose, but I’ve gotta say, it’s pretty awesome.

Eric Santoro played drums, but, otherwise I wrote, sequenced, and recorded all the music.

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Brandon Irwin has done a great job putting together the Churches videos I was doing music for.  Because he’s on a free account in Vimeo, though, he can only post one video a week, so… as he posts the videos, I’ll post them here.

This is the first video featuring my music (the second video in the series)…

ToddBishop from Brandon Thomas Irwin on Vimeo.

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A few videos

I didn’t write this music, dialogue, or anything, but these videos mean a lot to me. Not only are they Brandon Irwin’s work, but they’re about my faith.

I try not to write much about my faith here on this blog, trying to keep it as professional as I can, but the truth is I’m a Christian, and I’m proud of it. :)

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Creative Commons License
This Entry by Dave Matney, is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

Breathe.  I can finally breathe again.  And sleep, at least for a little while.

I don’t remember much of this weekend, to be honest; starting Thursday at 7:00, I spent almost EVERY waking hour on music.  Fifty three hours, to be exact. Seven to ten Thursday at practice, ten to one after that on composing, six thirty Friday morning ‘til ten playing guitar behind my friend Perko for a local news show (we played probably less than 5 minutes on air, and even then the sound was pretty awful; we sounded great live, and on air you couldn’t tell), then after a quick lunch I spent the next six or seven hours troubleshooting my computer so I could then stay up ‘til one again working on music.  Saturday was straight through; seven AM to one AM.

Sunday I played guitar at church, then went home and had an unplanned break (my wife –who was in Idaho 2 hours away from me– was in the ER the night before, nothing major, and she was pretty much dead to the world in pain and on pain meds, so I hung out with my son. Then I was so exhausted I couldn’t stand up from laying on the floor; I don’t remember going to bed.)

Back to work on Monday, at 8 am, and when I got home at six thirty, I started pounding away at music, until 3 am. 3 out of 5 songs finished, and that’ll have to do.  1 song completely scrapped, and rewritten twice in the previous week, the last time started just before one am.

That was last night; back to work at 8 am this morning, and I think my body realized when I was done with my morning appointments that, hey, I don’t have an immediate deadline looming.  I don’t have anything that’s forcing me to keep going, so now I must rest.

And rest I will, just not yet.

So… what all came from this?

Churches – New York

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This track, I feel, is the best track of all the ones I worked on this weekend.  I feel I need to clarify that this isn’t the production track; I cut apart and spliced together a different version to go below the film, and later I’ll clean this up for my portfolio. Just not yet.

I wrote, programmed, and recorded everything in this track.

Churches – Florida 2

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This track was built over the weekend, using an idea I started six or so months ago.  Everything within it was written by me, except the drum march;  I don’t remember which Gershwin tune I took it from, but I found a few MIDI files of Gershwin marches, took one, cut up the snare part into a loop that I liked, layered another snare part on top of it, and threw a kick below it.  So… TECHNICALLY Gershwin wrote the march… but only as much as the original photographers design elementary school collages.

Churches – Florida 1

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With Brandon throwing out ideas left and right, I wrote and recorded this song in two hours, with the first notes being struck just before 1 AM.  It’s intentionally sloppy.  The drum parts are Midi loops by Groove Monkey.

To write these, I used Sonar LE, various parts of Native Instrument’s Komplete and their Kore Player, Line 6′s PODFarm, and Make Music’s Finale.

Please, critique these.  And I’ll let you know when the videos that they’re for make it online, if they ever do.

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It seems that every blog has a weekly roundup of sorts, posting related (or semi-related) links from around the web.  So, to give this blog validity, I think it’s a good idea to follow suit.

It’s been a busy week for me, as I’ve mentioned before: I’ve been staying up ’til midnight or later working on music for Brandon Irwin, got sick, built a fence (where, during clean up, I was able to source out a couple BEAUTIFULLY squeaky hinges), and got right back to writing music.  Game Design Concepts has taken a back seat to a heavy workload at my 9-5 (I’m taking a break from that, right now, just to write this), and PARPG and the GAME have followed suit against the approaching Churches deadline.

I can’t pretend it’s been all work, though, and to accent that, I present to you this weeks links.

Music to Listen To:

  • He Who Brings The Night. A sweet song I stumbled upon today, by Thomas J. Bergersen.  Give it a listen, and let him, and me, know what you think. ( @ nemesisII )
  • Peace Piece. A set of videos related to Peace Piece, by Bill Evans. I’d love to play piano like that, and I’d never heard a bowed vibraphone before. ( @ the music of sound )
  • Fun.  My brother, Steve, mentioned this band to me, claiming I wouldn’t like them because they’re too eclectic. (This’ll show him!) Fronted by Nate Ruess of the now-dead Format, this band is super… um… fun. ( @ Fun )

Music to Read About:

  • DRM is Dead.  In the early 2000s, I ripped all 200+ CDs I had onto my computer, trying to get with the times of moving to digital media, using Windows Media Player, which added DRM by default.  A few years later, those CDs were stolen, and the computer I was holding my music on died (the motherboard, anyway)… A few years after that, I hooked up the old hard drive to retrieve my old music and found the DRM had expired, and I could no longer use music that I rightly owned.  Long story short, if DRM  had never happened, I’d have a lot of music I’ll never have again.  This couldn’t come soon enough. ( @ Gizmodo )
  • Trent Reznor: What To Do as a New / Unknown Artist. The music industry has changed, and is changing; Nine Inch Nails’ frontman lays it all out how he feels new and unknown artists should do to get themselves out there. ( @ hypebot )
  • Why the Academy is Scaling Back Best Original Song.  Not only has the music industry changed, and DRM died, but the film industry is moving away from original compositions in favor of paying rights for popular songs. (Even when they don’t fit. I’m looking at you, 21 Guns, by Green Day, in Transformers 2).  John Piscitello sums it all up pretty nicely, and even throws in a Marylin Monroe video to spice things up. ( @ Film Composer Blog)

Game Design

And here I thouht I wouldn’t have anything useful to share. :)

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Creative Commons License
This Entry by Dave Matney, is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

Things this last week have been hecktic, and as a result, I haven’t been able to get much music written.  Fighting my computer was just the icing on the destraction cake made of building a fence and getting sick.

To be honest, I’m pretty nervous I won’t get these done in time.   It’s my fault; I knew about the deadline for quite awhile, and should have been writing for it, but it’s tough to write for something without knowing what Brandon wants.  Stll, it’s my fault.

Anyway, to keep up with the trend of posting progress tracks, here goes:

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The previous version of this felt a little weird, so I tightened up the timing; less emphasis on the swing.  Also, I changed the bass, added a second drum track, layered the piano track with a honkytonk piano, and added a bridge of sorts.

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This one’s taken up most of my time, lately, ’cause I want it to be amazing.  The previous version had a solid foundation to build on, so I did.  I’ve added what I call “indie drums”, which I think work well but need a bit of refining, as well as strings.  Most importantly, I added a bit of random-seeming sound effects (it’s the sound of a ZIP drive rewinding layered over an old toy robot) that I think will add something, if only I can get them mixed right.

Anyway, let me know what you think; I’m always up for critiques.

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This Entry, Florida 1.1 by Dave Matney, is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

For the record, I’m absolutely loving life, and having a place that I can upload examples of what I’m working on.  So far, though, all I’ve uploaded are general ideas that I haven’t fleshed out; this one’s not really going to change that, either.  Sorry.

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This is the third track in the Churches series (two per location).  Brandon wanted something happy, and the song he featured had a piano over a hip-hop beat. I’m not to positive on the tuba; I thought about adding more horns, but my samples aren’t that great, and I don’t have the time to make them sound that good.  So, the tuba might go. I’m sure real bass and real guitar will make an appearance in this, as well.

Without the Electric Tech-Hop piece, I don’t know how well I would have been able to write this beat, either, so it’s good that my random pieces can count as some sort of practice.

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Music Portfolio

I added a music portfolio to the site, officially moving everything away from MySpace.  Check it out.

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This Entry, Track One by Dave Matney, is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

My buddy Brandon has some sweet projects coming up in the next little while, and he’s asked me to write music for them.  This is one track that I’m working on for it.  It’s slow, and somber, and right now only has two instruments, but I think you can get a general feel for where it’s headed.

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